in the form of codecs. A warning about the Miraizon ProRes codec. ago. These are some of the possibilities: 23. 94, DNxHD220 is similar to ProResHQ. ProRes is better. Apple ProRes 422 LT is a more highly compressed codec than Apple ProRes 422, with roughly 70 percent of the data rate and 30 percent smaller. It has a high bit-rate, which means it retains excellent image resolution. mov -c:v prores -profile:v 2 -c:a pcm_s24le output. Quote. Avid DNxHD vs ProRes for Vegas Editors. Records in H. Reply. Unless you guys are archiving on CD-ROMs or something. The calculator can be used with any type of media, including HD or SD footage, as well as. Pro res is similar to the old lossless hufyuv. Video Space Calculator. One of the most appreciated post-production tools by Apple, Final Cut Pro X, can easily convert MP4 to ProRes without using any other third-party program. Im looking for maximum 4k performance. A couple of other tools recommended to transcode MP4 to ProRes in the absence of Wondershare UniConverter are listed below: Final Cut Pro X. As a result, ProRes 422 offers even better real-time editing performance. This is where the points I was making about delivery come into play. I knew that at some lower bitrate, H. ) OPinguimVoador. 167. This version of the codec has 70% of the data rate of ProRes 422 and 30% smaller file sizes. Here is some blind test 'AVC-Intra 100 vs H. DNxHR is slightly better than DNxHD. ) Once you are finished your edit, export as an HQX file for your master. This is a subreddit dedicated to Atomos products. Both are good mezzanine codecs. DNxHD also offers flexibility in terms of bit rates and resolutions, allowing editors to choose the right settings for their projects. 2 Upvotes. h. I've never seen anything like that out of Media Composer. I've been doing a lot of codec testing lately in an attempt to figure out a reliable 10-bit workflow between Fusion, Resolve, Vegas and the various other applications I use. . However, ProRes, DNxHD, and many RAW formats are 10-bit or greater. DNxHR is an edit codec (like ProRes). BTW, one of the great advantages of ProRes over DNxHD, esp. Since DNxHD is made by Avid, and ProRes is made by Apple, it makes sense that DNxHD would work better on Media Composer and ProRes would work better on Final Cut Pro X. Video Codec: DNxHR/DNxHD. 264 Medium 4:2:0 8. Terence Curren of Burbank, CA based Alpha Dogs aptly pointed out a flaw in that I was comparing an 8-bit format to ProRes HQ and GoPro Cineform which are 10-bit formats. 265, where there are only complete. 168 he Avid DNxHR and Apple Prores codec families are designed to meet the needs of modern, streamlined post-production workflows. Always, use DNXHD or Prores for proxies. ProRes and DNx Target Data Rates. This blog has introduced you to the top five codecs, including H. I create Apple ProRes 422 Proxies (all same settings except. Translate. Released October 24, 2022. It's also a lot faster to encode than h. DNxHD 36, for example, is a low-bitrate option suitable for offline editing, while DNxHD 175X offers higher quality for online finishing. Re: Cineform or DNxHD intermediates for editing in Resolve 1. 94, DNxHD220 is similar to ProResHQ. The BMCC's built-in LCD can be set to "Video" mode while recording "Film". I use DNxHD and DNxHR codecs to share deliverables from DaVinci Resolve in the highest quality possible. As an example for why you. As far as I'm aware DNxHR is for greater than HD resolutions, you seem to be working in an HD format so DNxHD might be adequate? I've literally just switched from encoding my H. 264, and just by being intra-frame the playback performance while editing should be. 1 can decode the format supporting an alpha channel, but not encode it. 1) Yes, there is the same shift, both on log or color managed images. the UHD 10-bit 422 400Mbps ALL-I mode is likely to be roughly equivalent to UHD Prores 422 which is 471Mbps. Fri Sep 20, 2013 5:17 pm. It will help you determine how much room you need in order to create an effective and professional-looking video. My BMPC-4K camera records ProRes HD/UHD (HQ, 422, LT, Proxy) and RAW 4000 x 2160. n Apple ProRes RAW is not yet supported n Export of Apple ProRes SD MOV is not supported. 1091 posts • Page 20 of 22 • 1. With ProRes the. The "fast" ist the key here: edit codecs store every frame individually. Try ffmpeg to convert your footage to ProRes or DNxHD/HR (you can always go with DNxHR HQ instead for a 8-bit 4:2:2 conversion), -- For Prores, is as simple as: ffmpeg -i input. I believe its PC vs MAC issue like ProRes vs DNxHD/GoPro Cineform. Re: DNxHD as rec. Peter J. For example, if you are smart rendering to an MXF OP1a format, you must enable the smart rendering check box. Follow; Report; More. 264 YouTube Environment!-~-~~-~~~-~~-~-Please watch: "Music Video Spee. Seconding either DNxHD or Apple ProRes. Cineform, DNxHD/HR, and ProRes are all cross platform, visually lossless, professional quality "mezzanine" (some editors refer to them as "intermediate") codecs. Technically, there's little difference between ProRes and DNx - DNxHD is limited to to 1920x1080 or 1280x720, DNxHR and ProRes don't hav those limitations. DNxHD145 is similar to ProRes, DNxHD100 is similar to ProResLT, and DNxHD36 is similar to ProResProxy. Just like when shooting in N-Log, this disables any internal recording. A video editor should be able to tell you what codec everything is, or you can use MediaInfo to tell. Premiere suggests DNxHD by default when doing a Render-and-replace of an AE comp. Width: 1920. Like cineform, it will automatically adapt to a wide variety of frame sizes and frame rates. See Avid DNxHD Notes for more information. 94, DNxHD220 is similar to ProResHQ. In the current version of Resolve for Windows, is speed/performance using the above ProRes levels similar to the DNxHD & DNxHR counterparts? Or, if performance is significantly better. Playback only of ProRes 4444 QuickTime up to 2160p60 with auto routing of fill and key over SDI A and B outputs. The HR codecs just remove the number and the HD limitation. h264 is fine for normal playback, but in h264 compression the frames are compressed in groups instead of individually, which makes frame-accurate editing pretty difficult. That's essentially exporting the AE comp now into a relatively lossless DNxHD format which will render much faster when you render. This was posted a while ago and I still think there's something seriously wrong with the DNxHD clips. 26x and MPEG standards, the ProRes family of. requires this notice: THIS PRODUCT IS LICENSED UNDER THE MPEG-4 VISUAL PATENT PORTFOLIO LICENSE FOR THE PERSONAL AND NON-COMMERCIAL USE OF A CONSUMER FOR (i) ENCODING VIDEO IN COMPLIANCE WITH THE MPEG-4 VISUAL STANDARD (“MPEG-4 VIDEO”) AND/OR (ii) DECODING. Ingest, manage, edit, and deliver high-res and HD content using your current systems and infrastructure. I am about to grade a feature, and was supposed to get prores 4444. 97 fps. ProRes 444 is 12-bit. These codecs are designed to retain the image quality and details from your source footage but optimized for better playback. If you use the FFmpeg version that came with your latest version of OBS, the encoder will drop frames even though it’s using the correct CPU usage. Typically MXF/MOV files containing DNx or Prores video both use the same linear PCM uncompressed audio format, so with the correct settings you should be able to get identical audio quality out of both options. Hallo Mike, for Apple ProRes and Windows your Software Company need a deal with Apple. Most often I shoot ProRes HQ. Resolution: DNxHR HQX 10-bit. Media Composer supports the creation of Apple ProRes media in OP-Atom, MXF OP1a, and MOV containers on both Mac and Windows. Location: 1146 North Las Palmas Ave. [1] Much like the H. 5k BMCC, you have 3 shooting modes - Raw, ProRes HQ and DNxHD. These formats are referred to as intraframe formats, not interframe formats. Apple ProRes vs. It was shot on film and has special scenes to test codecs. 98: 75 Mbps: 50 Mbps: 34 Mbps: 23 Mbps: 10 Mbps: 720 x 486: 25: 79 Mbps: 52 Mbps: 35 Mbps: 24 Mbps: 10. Because these are VERY different, and needs to be specified. New Atomos Ninja / Ninja Ultra. The DNxHD 175 file's difference from the uncompressed was barely visible to the naked eye, but the ProRes 422 (HQ) codec showed significant differences. Therefore, you can absolutely master in the native format of your raw media. 97 fps. Both ProRes and DNxHD are effectively “visually lossless” at their higher bitrates. DNxHR doesn't have the strict specs that DNxHD has so they can be different, but don't have to be. Overview of video codecs & file formats a hybrid shooter will encounter with a practical emphasis on editing & storage. IMHO, the Ninja doesn't make a lot of sense for FX3/A7S III users who edit in Resolve on a PC. 它可与 DNxHD 或 CineForm 相媲美，后者提供相似的比特率. Media Express MJPEG vs DNxHD/ProRes bitrates? So I've pretty much given up trying to troubleshoot why I'm getting crackling audio when capturing DNxHD with a Intensity Shuttle thru Resolve (w/ 6 ch. ProRes 4444's color depth is 12 bit, unlike 10bit DPX. Neil. So, unlike most h. I’ve been doing some tests of Same-As-source quicktime exports, comparing DNxHD vs ProRes footage. Ninja 2 & Samurai owners need AtomOS 4. . As far as the gamma issue, I’ve not seen it within files encoded by Premiere or Redcine; color fidelity was maintained throughout the workflow. Each one has a few quality levels. Generally, video editing applications can work more nimbly with such media, and it can sometimes help to coerce esoteric source media from odd formats, or troublesome formats into. ProRes 4444 XQ是ProRes家族最新的成员，它是一个非常专业高质量的格式，专为高端后期工作流程和设备而设计。 DNxHD/HR. X Facebook Pinterest. If we look at two of the shooting formats, we can see on paper that there is a huge difference in quality. They use the same compression system, data rate and bit depth (with some exception). ProRes 422 LT. 8. mov Where -profile:v – 0 = prores422 PROXY – 1 = prores422 LT – 2 = prores422 – 3 = prores422 HQYeah, I've had cliptoolz for 3 years now and it has helped a bunch. The artifacts in Prores and DNxHD are more typical, like DCT ringing. Guys I am thinking about moving over to media composer, my main objection to continuing to. Some claim to have noticed performance differences, but studies have shown that the quality and speed differences are negligible. DaVinci Resolve 17. Render previews of any clips with effects and clips that are not the same as the new smart. Choose it in the drop down, and hit the “Codec Settings” option. 366 subscribers in the Atomos community. The number was dependent on the level (such as Proxy), frame size and frame rate. DeCrescenzo wrote: My BMPC-4K camera records ProRes HD/UHD (HQ, 422, LT, Proxy) and RAW 4000 x 2160. Single software decoder implementation is not really a 100% valid test. DNxHD only supports the NTSC & PAL standards, so 29. Better detail and colour. Prores 422 HQ or DnxHR HQX 10-bit is decent too. The peer to peer support community for media production professionals. In this video I compare the apple prores and DNxHD codecs on my Atomos Shogun recorder. However, unfortunately, Youtube doesn't support those formats, so you'll have to use a compressed format. It’s a family of six quality standards, from the space-saving 'ProRes 422. ProRes : Frame dimensions: Frame rate: Apple ProRes 4444 data rate: Apple ProRes 422 (HQ) data rate: Apple ProRes 422 data rate: Apple ProRes 422 (LT) data rate: Apple ProRes 422 (Proxy) data rate: 720 x 486: 23. Like Apple ProRes, DNxHD was designed to retain as much image quality as possible while also making files easy to edit. Upvote Translate. The real test of a codec isn't what the unprocessed image looks like on the screen, it's h. The 30i versions would be DNxHD 220 and 145. Therefore, forget 422 and LT for 1080p work, unless you’re in a special case (see below). Avid推出的一种解码，mfx封装格式。 PC常用。现在用的基本上都是DNxHR，它比DNxHD有更大范围的分辨率支持4K。The first is Prores HQ from the Shogun: This is the XAVC S frame: There is only a slight difference, especially in the green channel. so my guess is to use the DNxHQ 8 bit codec in Premiere and just set the frame size to 1920x1080 and the frame rate to 29. This gives you the most room for correction. Calculate the disk space taken up by over 75 codecs including ProRes, Animation, ARRIRAW, DNxHD, XDCAM and DPX. This requires to manually change these options, which I guess you cannot do - 4590400Aug 19, 2022. Now, just because you can upload uncompressed HD doesn’t mean you should. Exporting out of one generation (camera originals) of H. 264s for YouTube. The Ninja V and other current Atomos monitor-recorders can record this as 10-bit 422 Log or Rec. The target data is 147 Mbps. Something like a 422HQ will have much higher quality than 422 proxy, but at the cost of being a much larger file size. Get Webdesign, Search Engine Optimization & Marketing Help » highest quality exported video at 422 HQ (3. On a PC, the Cineform 10-bit YUV or DNXHD/R options are both quite high in quality. Within these two main formats sits 3 sub-categories exist such as ProRes 4444XQ, which is the highest quality version of ProRes 4:4:4:4 - it includes an alpha channel for visual effects and can support up to 12-Bit RGB and a 16-Bit alpha channel, with a target data rate of 500 Mbps. That means exactly what it says: you can’t tell the difference between your original video and the same material encoded to ProRes or DNxHD. 2 or later for DNxHD/HR. 264 but has some significant advantages: It takes a lot less computer power to decode, meaning it performs better in editing software. Something like a 422HQ will have much higher quality than 422 proxy, but at the cost of being a much larger file size. Why is that?. . The lens is still wide but you can crop the image in the menu giving you less barrel distortion. Community guidelines. I'm not sure if 444 stores data as RGB or YUV. Apr 19, 2018. MXF should work as that is also SONY. For work that needs grading but does not need Prores HQ, you will do well with Prores 422 or LT, or DNxHD SQ or LB. ) To date, I have been using the ProRes HQ format that the device allows - this gives a 10bit 22MB per second video recording (176mbps) - I shot a 10second clip today using the DNxHD codec, and see that it gives a 10bit 23MBper second video recording (184mbps). We ask for ProRes Proxy 1920X1080. I am going to shoot a documentary project on the Black Magic Cinema Camera and the editor wants to edit in Avid, thus she has asked me to record on DNxHD instead of ProRes HQ. So I decided. On my desktop its little difference, on my laptop its a huge difference (but thats with full quality files, proxies fun about the same). On a PC, the Cineform 10-bit YUV or DNXHD/R options are both quite high in quality. 709. Ensure your audio tracks are properly. Report. Media Composer support for ProRes does not require QuickTime. Of course, it took 6x longer to encode! Mezzanine codecs are post-production formats, such as the Apple ProRes, Avid DNxHD/R, and GoPro Cineform codec families. This is normally set to yuv422p10le or something like that, but if you want to use the 4444 prores you would set it to yuva444p10le. Apple ProRes 4444 is a high-quality solution for storing and exchanging motion graphics and composites, lossless alpha channel up to 16 bits. ProRes – Apple ProRes allows a lot of flexibility when exporting your videos. Long answer: Hardware manufacturers (cams, dvrs, atomos, gopro, etc) still encode their captures with these codecs, and we need them for compatibility of workflow projects. Prores RAW will get you the most flexibility in the edit for coloring if your system can handle it - you need the plugin from Apple. Last edited by Truthler; 21st Dec 2020 at 12:52 . Calculate the disk space taken up by over 75 codecs including ProRes, Animation, ARRIRAW, DNxHD, XDCAM and DPX. Apple recently announced that its new iPhone 13 Pro and Pro Max could record in the ProRes format. . Reply. Comparing Apple ProRes LT, 422, HQ vs Avid DNxHR LB, SQ, HQ, HQX. That's 100% correct. Translate. I'm slowly getting really annoyed, that Vegas Pro still doesn't have DNxHR and DNxHD support, most on camera recorders output in ProRes and DNxHR today and Vegas Pro still not having support for it is a disgrace, I don't want to switch away from Vegas Pro, but always needing a second. it states:"DNxHR is completely backwards compatible with DNxHD. You can adjust ProRes video exports can from lossless to more compressed based on your particular needs. DV only works in two formats: 480i59. The real test of a codec isn't what the unprocessed image looks like on the screen, it's h. 264/265. - Carsten. If you are shooting H. MOV is also a container and can hold a ton of different codecs. ProRes 4444 XQ takes this further by using even less compression. Avid Media Composer 6 and higher can also wrap ProRes in an MXF wrapper. Comparing Apple ProRes LT, 422, HQ vs Avid DNxHR LB, SQ, HQ, HQX. 264/MPEG-4 files, transcoding to a more efficient codec for editing – ProRes, Cineform, DNxHD – makes sense, even though it requires more storage. A codec is a specific schema for encoding video or audio data. 97 fps, 59. MXF can hold pro res or a ton of other codecs. John Paines wrote:The difference is an artifact. Ia setara Apple ProRes di Final Cut Pro. 976) In the case of 1920x1080 footage, using a frame rate of 24 fps or 23. DeckLink Quad HDMI Recorder is a high performance PCIe card that lets you capture from 4 different HDMI sources in any combination of SD, HD, Ultra HD, 4K and even computer formats, all at the same time! Featuring 4 independent HDMI 2. It's ~175M at HQ, and ~80M in LT. Be kind and respectful, give credit to the original source of content, and search for duplicates before posting. 60/120fps) that don't play smoothly. Smart Rendering is a "workflow" to export files 20 times faster by using your preview files to assist the export. Sat Apr 30, 2022 3:52 pm. With the older version of FFmpeg from 19. You can ask yourself the same. ProRes: Apple ProRes 422 HQ QuickTime, ProRes 422 QuickTime, ProRes 422 LT QuickTime, ProRes 422 Proxy QuickTime DNxHD: DNxHD 220x, DNxHD 220x MXF, DNxHD 145, DNxHD 145 MXF, DNxHD 45, DNxHD 45 MXF for 720p and 1080p HD formats up to 60 fps H. DNxHD files come in several versions, including DNxHD 36, which is suitable for low-resolution editing, and DNxHD. Avid DNxHD (“Digital Nonlinear Extensible High Definition”) is a lossy high-definition video post-production codec developed by Avid for multi-generation compositing with reduced storage and. 摘要. Posted August 12, 2020. For the times you need Prores, you need HQ and the data cushion it provides (For DNxHD, it’s 220x). A test fi. brycedouglass • 2 yr. A quick overview of the target data rates for ProRes, DNxHD, and DNxHR in Megabits per second (Mb/s). Report. DNxHD vs ProRes vs Cineform: Generation Loss. I thought that a conversion from H264 to a DNxHD (or ProRes) file would result in a 1:1 copy of the original data, plus the added benefit of the file being easier to edit because of it containing full frames as opposed to interpolated frames. Avid DNxHD vs. 264 codec is widely used in video delivery/distribution. Author; Message; Steve DiMaggio. MXF can hold pro res or a ton of other codecs. Adding the original card to a project archive will be among the smaller files compared to ProRes, effects pre-renders, etc. In a nutshell, ProRes exports always behave as though they were exported as RGB, regardless of whether. Tue Jul 26, 2016 10:42 pm. . Apple ProRes. For each there is a standard and a. Click "Folder" button in the Output bar, and select a destination folder to save the result DNxHD encoded files. Almost looks like Resolve doesn't convert from DNxHR to Prores optimally! On the other hand, what's going on behind must be much more complicated than that: have just rendered color output (in the "User" render cache mode) of the same clip I tested before (with TNR node set to auto-render, and cache mode to Auto): full 50 fps playback of. Hollywood, California 90038 USA. 264 to something else is probably a good thing. Just as a quick tip the various versions of the DNxHD codec are listed by bitrate DNxHD 175 is 175mb/s similar to Prores 422. . Mac users may want to research ProRes, but can still benefit from understanding how we’re using FFmpeg in this article. 265 was designed to maximize quality on low bitrate streaming, especially 4k and 8k. Votes. Adobe. 14. Now it looks like it might be DNxHD 444 instead. L. 264 with a high bitrate? In theory the compression capability, even if is intra-frame only, is better with H. 26x and MPEG standards, the ProRes family of codecs use. As opposed to say the long-GOP (group of pictures) format. ProRes, Cineform, and DNxHD/R were pretty close to each other and WAY ahead of. 1. ProRes 4444 XQ. Ryan Provost. り高くなっています。Apple ProRes 422 のターゲットデータレートは、1920x1080、29. . What Ed said. 264 at 480, 2Mbps and you’re done. Avid DNxHD and DNxHR are based on SMPTE 2019–2006 (VC-3). Of course, it took 6x longer to encode!Mezzanine codecs are post-production formats, such as the Apple ProRes, Avid DNxHD/R, and GoPro Cineform codec families. I know in the past ProRes sucked because it - 9759274. As opposed to say the long-GOP (group of pictures) format H. Quality and Performance When it comes to quality, both ProRes and DNxHD deliver impressive results. unlocked audio). DNxHD145 is similar to ProRes, DNxHD100 is similar to ProResLT, and DNxHD36 is similar to ProResProxy. DnxHD is free to decode (play back) and encode (create) on all platforms. Smh. Avid DNxHD. Quick question: what are the advantages of using the most common non long-GOP codecs for editing (DNxHD/DNxHR and Prores) vs intra-frame H. Conclusion When it comes to choosing between Apple ProRes vs Avid DNxHD, there is no clear-cut winner. You can select Apple ProRes when exporting as MOV or MXF OP1a. 709 is very important, it would be interesting if you could compare DNxHD with ProRes. Note that not all of these formats are actually supported with prores). It is the successor of the Apple Intermediate Codec and was introduced in 2007 with Final Cut Studio 2. In premiere they show up just as soundfile and Media Encoder is black. DNxHD 220x, DNxHD 220x MXF, DNxHD 145, DNxHD 145 MXF, DNxHD 45, DNxHD 45 MXF for 720p and. 264). This gives you the most room for correction. Joined: Thu Feb 07, 2013 5:07 pm. I create Apple ProRes 422 Proxies (all same settings except. 264 SDI 4:2:2 10-bit, H. ProRes is VBR, so it will save space on easy sources. Video Output: RGB+Alpha. 265) compression codecs in Ninja V recorder - looking for compression artefacts that may appear when gra. It is the successor of the Apple Intermediate Codec and was introduced in 2007 with Final Cut Studio 2. In most cases, ProRes is a better choice than MPEG for. I recently g. Avid DNx requires free activation via my. Fixes an issue where exporting ProRes RAW to H. Playback only of ProRes 4444 QuickTime up to 2160p60 with auto routing of fill and key over SDI A and B outputs. But since this question pertains to whether ProRes4444 or DPX is better for VFX, I’ll give it a try here. First, while you can AMA/Import the footage okay and edit okay; you can't export at all. ProRes vs H. Not so much for the colour space, but more so for editing - short of transcoding to something smaller in compression/screen size at post production stage, I'm wondering if DNxHD is less resource intensive and can play a lot better on a Mac. Quick question: what are the advantages of using the most common non long-GOP codecs for editing (DNxHD/DNxHR and Prores) vs intra-frame H. Posts: 357; Joined: Tue Aug 06, 2013 1:29 pm; PRO RES VS DNxHD. 264 is an intraframe codec meaning your computer has to look at previous and later frames to decipher what to display in source monitor. April 28, 2015 at 4:23 pm. See Avid DNxHD Notes for more information. Should you use Prores LT or 422, or DNxHD 145? For 1080p work, I recommend XAVC S over either Prores 422 or LT, or DNxHD 145. easyDCP(3) RGB and YUV422 JPEG2000 video mov, mxf Op1A, mxf Op-Atom – – yes Native, Kakadu RGB, YUV422 and YUV444 (8-bit, 10-bit, 12-bit each). Reply. ProRes codecs are all 10-bit 422 as is DNxHD 220x but lower bit rate DNxHD codecs are 8-bit 422 architectures. MPEG LA, L. ProRes and DNxHD/R are codecs. In the current version of Resolve for Windows, is speed/performance using the above ProRes levels similar to the DNxHD & DNxHR counterparts? Or, if performance is significantly better working with DNxHD. 265 archive vs DNxHD (windows). That's not to say something weird isn't going on. Choose a proper pixel format using the format filter. As a result, ProRes 422 offers even better real-time editing performance. Perform color and effects work on media. 265) compression codecs in Ninja V recorder - looking for compression artefacts that may appear when gra. Similar to ProRes, DNxHD comes in different profiles. Those codecs also support many features (RAW, HDR. So, if you want to compare codecs like ProRes vs DNxHD, ProRes vs Cineform, DNxHD vs. When looking at quality, there is no visible difference between dnxhd and cineform. Step 3. If you’ve ever tried to edit H. Turn on suggestions. Today I wanted to take a practical look at video codecs for storage and archiving types of footage. As a consequence, I've discovered that the Miraizon DNxHD and ProRes codecs for Windows only decode to 8-bit (and yet bizarrely. Playback only of ProRes 4444 QuickTime up to 2160p60 with auto routing of fill and key over SDI A and B outputs. Showdown. Studio for >=4k mj2 – – yes Kakadu. Tue Apr 11, 2023 8:02 pm. If you’re exporting for say a live concert with LED screens, the difference will be noticeable, eg colour gradients will. If your computer has the hardware to decode H. On the ProRes side everything from ProRes Proxy to ProRes HQ is 10-bit. ago. 98 the possible DNxHD codecs are: 36, 115, 175, 175X. So the difference in file size and data rate is rather small (this was using DNxHD. DNxHD – DNxHD is Avid’s intermediate CODEC. Buindling up contrast can lead to loss if detail in both the whites and blacks. DNxHD vs DNxHR. 1920x1080 (50i) 16:9. One of the most valuable things I took away from FCP7 and Avid is that using optimized formats is always the best. In this video I show and discuss the differences between. 0.